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Strangers and Beggars



Strangers and Beggars :: Fairwood Press :: Collection by James Van Pelt
Strangers and Beggars gathers together for the first time seventeen stories--one of them previously unpublished--by new talent James Van Pelt, showcasing his explorations in science fiction, fantasy, and horror.

Read about a teacher who deals with reluctant students, bizarre administrators, and a really large spider. Discover why the business world isn't just a dog eat dog existence; sometimes the sharks are biting, too. Ride along on a traffic-jammed commute, where there are plenty of merge lanes, but never an exit. Play baseball in the future with a player who knows what the other team is doing seconds before they do it. Human, compassionate, and imaginative, Strangers and Beggars is a must-have collection from one of science fiction's most interesting newcomers.

". . . wonderful, inventive, moving short stories . . . the best of them are here, in a single volume, that belongs on every SF fan's shelf."
--Robert J. Sawyer, author of Hominids

"James Van Pelt has a gift for opening strange new windows on familiar events . . . Read these stories and feel your mind stretch."
--Jerry Oltion, author of The Getaway Special

"This collection . . . not only entralls and amazes, but reaffirms this author's rare ability to remind us of what it is to be human. Highly recommended."
--Julie E. Czerneda, author of In the Company of Others

"Jim Van Pelt is one of those rare writers who swoop effortlessly across the ladscape of the fantastic. I read him with admiration and envy."
--James Patrick Kelly, author of Think Like a Dinosaur

". . . full of riches--a treasure trove of stories on everything from baseball to sorrow to the surveillance culture."
--Connie Willis, author of Passage

Cover Art
Strangers and Beggars
$17.99
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Foreword - Bruce Holland Rogers


Fiction:

Miss Hathaway's Spider
Finding Orson
Home
Nor a Lender Be
Happy Ending
Shark Attack: A Love Story
The Infodict
The Diorama
Nine Fingers on the Flute
The Yard God
The Death Dwarves
Eight Words
Parallel Highways
What Weena Knew
Voices
The Comeback
Resurrection



ProjectPulp.com Review

     It is written in the Odyssey, "all strangers and beggars are from Zeus, and a gift, though small, is precious." James Van Pelt’s new short story collection Strangers and Beggars contains seventeen small gifts, each one of them precious to speculative fiction readers.
     Gardner Dozois once called James Van Pelt "ubiquitous," and a brief glance at the Van Pelt bibliography supports that. The stories collected in Strangers and Beggars have previously appeared in nearly a dozen magazines. A single story, "Finding Orson" is published here for the first time.
     Van Pelt has organized the stories under several themes that are common in his work: Teaching, Love, Death, and Time. Of special note in each theme are "Nor a Lender Be" in Teaching, "The Infodict" in Love, "Parallel Highways" in Death, and "What Weena Knew" in Time. "Nor a Lender Be" addresses the commercialization of learning through the story of a great teacher convinced to sell his style. In "The Infodict," Van Pelt tackles the idea of universal information access and the idea of a transparent society, and how such a society will affect relationships. "Parallel Highways" is my personal favorite in the collection: a creepy, sometimes terrifying story on a hellish freeway. "What Weena Knew" addresses the poor Eloi from H.G. Wells's Time Machine after the Time Traveler has left.
     Van Pelt’s short stories are elegantly penned, written in an easy style, and very approachable. He sticks to the basics with few exceptions, but his knowledge of the basics is secure. Van Pelt tells a solid, hearty short story that rarely disappoints. Some of Van Pelt’s best work, "Flock of Birds" and "Last of the O-Forms," are yet to appear in a collected format, but I have a feeling we won’t have long to wait.
     What impresses me most about Van Pelt’s work is that he is not afraid to give his characters hope in even the direst situations. Where some writers would leave their protagonist with no way out of their predicaments, Van Pelt decidedly gives his happy endings, even in his most horrific tales. This hope and happiness is a warm comfort in these days of uncertainty.

                ::Jeremiah Tolbert::


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